{"product_id":"felix-vallotton-laid-down-woman-sleeping-print","title":"Félix Vallotton Laid Down Woman, Sleeping Print","description":"\u003ch3 dir=\"ltr\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cspan\u003eUndisturbed: Why Félix Vallotton's Sleeping Woman Is the Wall Art Your Bedroom Has Been Waiting For 🛏️🎨\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp dir=\"ltr\"\u003eBorn in Lausanne in 1865 and later naturalised French, Vallotton trained at the Académie Julian in Paris and fell in with Les Nabis, the loose band of Post-Impressionist rebels that also counted Bonnard and Vuillard among its ranks 🖼️. He made his name first as a printmaker: his stark, high-contrast woodcuts, all bold black and white with barely a line of shading, brought him international acclaim before he'd turned thirty. His \u003cem\u003eIntimités\u003c\/em\u003e series, ten prints exploring the tension and secrecy of domestic relationships, remains a landmark in the history of the medium.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eBy the time he painted \u003cem\u003eSleeping Woman\u003c\/em\u003e, Vallotton had shifted his focus back to oil, developing the flattened, deliberate style that would come to define his later career. He also wrote: his novel \u003cem\u003eLa Vie meurtrière\u003c\/em\u003e (The Murderous Life) was published only after his death in 1925, a fittingly enigmatic coda for an artist who spent his life observing others without ever quite revealing himself.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eVallotton's precision unsettled people. One reviewer, writing for the Neue Zürcher Zeitung in March 1910, memorably grumbled that the painter worked less like an artist than a policeman rounding up forms and colours, and complained that the whole effect was dry and joyless. It's the kind of criticism that, with a century of hindsight, reads as an accidental compliment. That exacting, unsentimental eye is precisely what makes Vallotton's work feel so startlingly modern.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eArt historians now regard his cool detachment as a forerunner of Neue Sachlichkeit (New Objectivity), the unsparing realist movement that would flourish in Germany in the 1920s, and see a clear kinship with the quiet, light-filled interiors of Edward Hopper 🌇. Vallotton wasn't chasing joyfulness. He was chasing truth, and \u003cem\u003eSleeping Woman\u003c\/em\u003e is truth at its most tender.\u003c\/p\u003e\n\u003cp\u003e🎨 \u003cstrong\u003eWhy Choose This Art Print?\u003c\/strong\u003e\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eART SNOB utilises cutting-edge giclée printing technology to ensure every nuance of the original painting comes alive in your space:\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eTechnical Excellence\u003c\/strong\u003e \u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003e🖨️\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e12-colour fine art printing technology delivers extraordinary colour accuracy and depth, vastly superior to standard 4-colour inkjet processes\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eOver 350 dpi resolution (exceeding the industry standard 300 dpi) ensures ultra-sharp clarity and incredible definition\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eSmooth matte finish eliminates glare whilst maintaining the painting's luminous quality\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003ePremium Materials\u003c\/strong\u003e 🌿\u003c\/p\u003e\n\u003cul class=\"[li_\u0026amp;]:mb-0 [li_\u0026amp;]:mt-1 [li_\u0026amp;]:gap-1 [\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc flex flex-col gap-1 pl-8 mb-3\"\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e200 gsm (80 lb) archival-quality paper with 0.26 mm thickness\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eFSC-certified environmentally conscious materials\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003eAvailable in multiple sizes to suit any interior design vision\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"ARTSNOB","offers":[{"title":"A4 (21 x 29.7cm) – Unframed","offer_id":58402043265355,"sku":null,"price":16.0,"currency_code":"GBP","in_stock":true},{"title":"A4 (21 x 29.7cm) – Framed","offer_id":58402043298123,"sku":null,"price":26.0,"currency_code":"GBP","in_stock":true},{"title":"A3 (29.7 x 42cm) – Unframed","offer_id":58402043330891,"sku":null,"price":20.0,"currency_code":"GBP","in_stock":true},{"title":"A3 (29.7 x 42cm) – Framed","offer_id":58402043363659,"sku":null,"price":35.0,"currency_code":"GBP","in_stock":true},{"title":"50 x 70cm – Unframed","offer_id":58402043396427,"sku":null,"price":25.0,"currency_code":"GBP","in_stock":true},{"title":"50 x 70cm – Framed","offer_id":58402043429195,"sku":null,"price":50.0,"currency_code":"GBP","in_stock":true},{"title":"A1 (59.4 x 84.1cm) – Unframed","offer_id":58402043461963,"sku":null,"price":30.0,"currency_code":"GBP","in_stock":true},{"title":"A1 (59.4 x 84.1cm) – Framed","offer_id":58402043494731,"sku":null,"price":55.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0944\/8790\/4587\/files\/felix-vallotton-sleeping-woman-fine-art-print.jpg?v=1788832515","url":"https:\/\/artsnob.co.uk\/products\/felix-vallotton-laid-down-woman-sleeping-print","provider":"ART SNOB","version":"1.0","type":"link"}